Celebrating the work and life of the American novelist and 1979 Pulitzer Prize for Fiction winner, John Cheever.
Thursday, December 12, 2013
A memoir by Cheever's daughter
A link to the memoir written by Cheever's daughter Susan, titled Home Before Dark, in which she reveals his bisexuality and other facets of Cheever's private life.
Awards won by Cheever
Here's a timeline of awards won by Cheever!
An analysis of the life of John Cheever
Here's a link to James Wolcott's critical analysis of the life of Cheever in Vanity Fair. Wolcott examines how Cheever's own experience with alcoholism and self-loathing guided Cheever's stories.
Alfred Hitchcock presents "The Five-Forty-Eight"
This is episode 5 from season 6; it's the full episode of Hitchcock's interpretation of "The Five-Forty-Eight."
Analysis of "The Five-Forty Eight" by Elise Marshall
John Cheever's "The Five-Forty-Eight" is the story of a businessman named Blake who is confronted by his former secretary, the mentally-ill Miss Dent. The entire story is from Blake's perspective, and quickly it becomes apparent that Blake is a flawed character; he drinks, he has a clear disdain for women, and he keeps those around him at a distance. However, it is this distance he creates that causes Blake to have a very distorted perception of reality; one that is perhaps more twisted than the ill Miss Dent.
When Blake first notices Miss Dent outside of his office building one evening, he does not seem to even remember her name. Although he is immediately nervous and afraid as he heads to the train that will take him home from the city, he comforts himself by pondering that "he was an insignificant man" and that he "knew no secrets of consequence" that might lead Miss Dent to do him any harm (par. 4). However, as he takes a moment to order a drink at a bar, Blake begins to recall their past interactions and we learn this may not be the case. He remembers hiring her, and how he seemed to "recognize a peculiar feeling of deprivation" (par. 6). It's this same feeling of deprivation perhaps Blake recognizes within himself. Miss Dent admits that prior to Blake hiring her, she has been mentally ill and hospitalized for several months. Through Blake's perception of those on the train, it quickly becomes apparent that he also has been isolated from those around him.
Blake notices his neighbor, who clearly does not care from him. He recounts how the Watkins house is dilapidated and rundown, and seems disdainful that they only rent, not buy. He recalls how his son became friends with the neighbors son, and soon began staying the night and all but moving in next door. Rather than speak with his son, he addresses Mr. Watkins. This is an early sign that Blake is oblivious to what is really occurring in his life. In all actuality, his son probably preferred staying with the Watkins's. But Blake perceives it differently, unaware of whatever strife most likely exists between him and his own son.
Miss Dent ends up following Blake to the train, and as she sits down next to him she makes him aware that she has a gun in her pocketbook and would like to speak with Blake. To himself, Blake has already considered his past relationship with her. We learn that he hired her, one night he asked her for a drink and they ended up at her apartment. They proceed to have a one-night-stand, and Blake considers if there will be any consequences from this night. He believes nothing negative will come from her, but that "her diffidence...promised to protect him of that" (par. 8.) Put in another way, because Miss Dent is shy and modest, he believes there is no way she would do anything harmful. The next day Blake promptly asks personnel to fire her while she is out to lunch. He states that she came by the next day, and he refused to see her; after that, he says he never saw her again.
Of course, that is up until this day on the train. As Miss Dent begins talking to Blake, it becomes apparent that Blake's perception is once again inaccurate. Miss Dent states that she went to his office "every day for three weeks" in an attempt to speak with him (par. 24). From that admission and the fact that she is confidently talking to him now on the train, it seems that Blake's perception of her as shy and weak is incorrect. Blake waits for someone to notice he is being held at gunpoint, but alas, no one does. This is probably due in part to Blake's constant avoidance of those around him. He tries to "summon the calculation self-deceptions with which he sometimes cheered himself" which is the first time Blake admits how he looks at the world is incorrect.
Eventually Miss Dent gets off at Blake's stop in Shady Hill with him. She remarks that the neighborhood is much more run-down and shabby than she had imagined. She then forces Blake to his knees, and then to the ground, in an effort to belittle him, and perhaps make him feel similar to how he had made her feel; that is to say she wanted him to feel helpless and ashamed. She speaks her mind when she says "'I'm better than you, and I shouldn't wast my time or spoil my life like this'" (par. 39). This statement is much closer to reality than Blake's own perception. Once she has made him weep, she walks away to get back on the train. Blake looks around, and as he watches her, he sees her as "small, common, harmless" (par. 40). Immediately past danger, Blake reverts back to his oblivious mindset. He simply dusts off his hat and walks home, content that he is safe, without further contemplation of his reality.
When Blake first notices Miss Dent outside of his office building one evening, he does not seem to even remember her name. Although he is immediately nervous and afraid as he heads to the train that will take him home from the city, he comforts himself by pondering that "he was an insignificant man" and that he "knew no secrets of consequence" that might lead Miss Dent to do him any harm (par. 4). However, as he takes a moment to order a drink at a bar, Blake begins to recall their past interactions and we learn this may not be the case. He remembers hiring her, and how he seemed to "recognize a peculiar feeling of deprivation" (par. 6). It's this same feeling of deprivation perhaps Blake recognizes within himself. Miss Dent admits that prior to Blake hiring her, she has been mentally ill and hospitalized for several months. Through Blake's perception of those on the train, it quickly becomes apparent that he also has been isolated from those around him.
Blake notices his neighbor, who clearly does not care from him. He recounts how the Watkins house is dilapidated and rundown, and seems disdainful that they only rent, not buy. He recalls how his son became friends with the neighbors son, and soon began staying the night and all but moving in next door. Rather than speak with his son, he addresses Mr. Watkins. This is an early sign that Blake is oblivious to what is really occurring in his life. In all actuality, his son probably preferred staying with the Watkins's. But Blake perceives it differently, unaware of whatever strife most likely exists between him and his own son.
Miss Dent ends up following Blake to the train, and as she sits down next to him she makes him aware that she has a gun in her pocketbook and would like to speak with Blake. To himself, Blake has already considered his past relationship with her. We learn that he hired her, one night he asked her for a drink and they ended up at her apartment. They proceed to have a one-night-stand, and Blake considers if there will be any consequences from this night. He believes nothing negative will come from her, but that "her diffidence...promised to protect him of that" (par. 8.) Put in another way, because Miss Dent is shy and modest, he believes there is no way she would do anything harmful. The next day Blake promptly asks personnel to fire her while she is out to lunch. He states that she came by the next day, and he refused to see her; after that, he says he never saw her again.
Of course, that is up until this day on the train. As Miss Dent begins talking to Blake, it becomes apparent that Blake's perception is once again inaccurate. Miss Dent states that she went to his office "every day for three weeks" in an attempt to speak with him (par. 24). From that admission and the fact that she is confidently talking to him now on the train, it seems that Blake's perception of her as shy and weak is incorrect. Blake waits for someone to notice he is being held at gunpoint, but alas, no one does. This is probably due in part to Blake's constant avoidance of those around him. He tries to "summon the calculation self-deceptions with which he sometimes cheered himself" which is the first time Blake admits how he looks at the world is incorrect.
Eventually Miss Dent gets off at Blake's stop in Shady Hill with him. She remarks that the neighborhood is much more run-down and shabby than she had imagined. She then forces Blake to his knees, and then to the ground, in an effort to belittle him, and perhaps make him feel similar to how he had made her feel; that is to say she wanted him to feel helpless and ashamed. She speaks her mind when she says "'I'm better than you, and I shouldn't wast my time or spoil my life like this'" (par. 39). This statement is much closer to reality than Blake's own perception. Once she has made him weep, she walks away to get back on the train. Blake looks around, and as he watches her, he sees her as "small, common, harmless" (par. 40). Immediately past danger, Blake reverts back to his oblivious mindset. He simply dusts off his hat and walks home, content that he is safe, without further contemplation of his reality.
Wednesday, December 11, 2013
The Enormous Radio: A Study of Technological Addiction by Alan Hartmann
In
John Cheever’s classic story “The Enormous Radio”, technology is used as a
medium to eavesdrop on others. Jim and Irene Wescott get a radio that can hear
the goings-on in the other apartments in their building. She is more concerned
about other people’s problems and not addressing her own.
Cheever starts off by introducing us
to the Wescotts, Jim and Irene. They have two kids and live in on the 12th
floor of an apartment building near Sutton Place. They are a normal couple
except for their love for music. This love for music is what leads them to buy
a new radio. At first, Irene is the only one that hears the other apartments
and the sound isn’t clear. Jim doesn’t believe her that the radio hears the
other apartments. He has a radio repair man come to the house and fix the
radio. Now the sound of the other apartments comes in very clear and Irene
becomes obsessed with the goings-on in the other apartments. Soon thereafter,
they are listening to the other apartments nonstop.
One night when Jim comes home from work, Irene tells him to go to
one of neighbor’s houses because there is a violent domestic dispute going on.
He storms into the living room and slams the radio off. He tells her to stop
listening to the neighbors. Irene asks him not to fight with her. She names all
of the horrible things that are happening to the people around them. This is
the first sign that Irene is aware of the problems that are under the surface
of the Wescott’s marriage.
The next night at supper they begin to argue about Irene’s spending
habits. Cheever really delves into the idea that Irene is blocking out her own
problems by judging others’ by their issues. Jim says that Irene is acting as
if there is nothing wrong in their marriage and at the same time pointing out
the neighbors’ faults. He cites her abortion, her stealing, and how she made
another woman’s life awful.
Cheever shows Irene as someone who is very concerned with what her
neighbors are doing and how to correct their behaviors instead of addressing
some of the things that she has done and needs to work out. The main theme of
this story is that people that judge others for their actions often have
something that they are ignoring that needs to be dealt with.
Tuesday, December 10, 2013
Several Cheever Works
Here's a link to The Stories of John Cheever, a collection of some of Cheever's most famous short stories.
Destroyed by Alcohol: a Major Theme in "Reunion" by Cheryl Robertson
The
story of “Reunion” by John Cheever shows how he struggled with his own
alcoholism and his life as a young boy with his own father. The story projects how alcohol can interfere
with one’s attitude and relationship with his son. John Cheever will be showing the story
through the main character Charlie, who will meet his father after the divorce
of his parents 3 years later.
In
the beginning of the story, Charlie writes to his father letting him know that
he will be in New York for an hour and half and wants to meet up with him. Charlie is told by his father’s secretary
that he will meet him at 12 o’clock.
When they do meet up, Charlie feels the strangeness that he has with his
father and how he knew that he was his father; “but as soon as I saw him I felt
that he was my father, my flesh and blood, my future and my doom”. This is where he shows the love that he has
for his father.
In the second part of the story, his father
suggests they go to a restaurant so they can spend time together. As they go to the restaurant, this is where
his father shows his true self with his drinking and boisterous attitude. At the first place, Charlie’s father shows
how rude his behavior is to the service staff, Charlie stated “his
boisterousness in the empty restaurant seemed out of place”. This is when his father’s alcoholism is
first seen in the story. He ask the waiter to bring him a couple of Beefeater Gibson’s,
when the waiter tells him that he should go somewhere else, due to the rudeness
that was shown to him by Charlie’s father.
Charlie’s father had been clapping his hands for service, calling the
waiter names and stating “I have a whistle that is audible only to the ears of
old waiters”. As they go from
restaurant to restaurant, his father is acting ruder and ruder with each
waiter, while getting drunker. Knowing
that his father is getting oblivious, he decides that it was time to leave
saying goodbye to his father, his father wants to buy him a paper for his trip
but instead of doing something so simple by getting the paper, he feels that he
needs to be rude to the newspaper clerk.
As Charlie is ready to get away from his boisterous father, his father
states, “Just wait a second. I want to
get a rise out this chap”. This is when
his alcoholism comes to light action. He wants to show off to his son that he
is better than anyone that is in the service industry. This is also the same time that Charlie
decides that he does not ever want to see his father again.
As
stated in the beginning, Cheever shows the story about a father and son who
have not seen each other in three years.
Father and son come together, thinking this will be a good visit, but it
turns into a disaster where alcohol destroys a father/son relationship.
Blake Bailey's Analysis of Cheever works
American writer and biographer Blake Bailey analyzes works by John Cheever. He is known for his biography of Cheever titled, Cheever: A Life.
Part 1:
Part 2:
Part 3:
Watch here
Pearson Lit's biography
This is Pearson Literature's biography of Cheever.
Biography link
Here's a link to a Cheever biography by Notable Biographies.
Full movie version of "The Swimmer"
In 1968, a movie version of Cheever's "The Swimmer" was released. This video is the preview of the film, with the option to purchase the full thing!
Major themes in "Reunion" by Sarah Hocutt
The reunion opens with a young man
arranging to see his father, whom he has not seen in many years, due to the
divorce of his parents. This opening
sets the stage for the theme of this story; we do not choose our families, but
rather they are chosen for us. It was apparent
that the young man had many years away from his father when he states his
father “was a stranger to [him].” There
is anticipation and happiness upon meeting him, evident by the fact that after meeting
him again for the first time he states “as soon as I saw him I knew he was my
father.” The plan for their meeting was
to share a meal before the son had to catch a train. But, as plans seem to do, their meeting did
not go as expected.
His father was very crass and
belligerent, as shown in his request for service at the restaurant they
entered. He yells, “Could we have a little service here…Chop-Chop.” The waiter was not pleased with the way he
was “summoned.” The waiter responded “I
don’t like to be clapped at.” So the
young son and his father left this restaurant and moved on to another
restaurant. This was a clue to the young
man that maybe his father was not the man he had envisioned. When they go to the next restaurant, the same
attitude from his father occurs and they leave that restaurant. When they arrive at the final restaurant, his
father has had a couple drinks and they are refused service. The actions of the young man’s father showed
him a man that was not the father he wanted.
He immediately shortens the visit and wants to leave. His father, not really sensing his son’s
unhappiness, offers to purchase a paper for him to read on the train. The father’s rudeness surfaces for the final
time when he asks the clerk, “is too much for you to sell me one of your
disgusting specimens of yellow journalism?”
At this point of the story the son
is done and leaves promptly, never seeing his father again. The young man began the encounter eager and
full of expectation; sadly, the visit ended with disappointment. We do not have the luxury of choosing our
parents, or family. If we are lucky, we
have loving, moral teaching, guides in our lives. When we see something so disappointing,
especially in our parents, sometimes we just have to walk away.
Buy Cheever!
Want to buy a John Cheever work? Here's a link to available works for purchase on Amazon.
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